Tuesday, June 15, 2010

Daniel Knox "Slowly"

I made a video for the Daniel Knox song "Slowly". Please watch it.

Bloody fun?


33. "Kick-Ass"
I hated the first thirty minutes of dialogue. It was shaping up to be another teen film in which a nerd gets the girl and blah blah blah. Then it got super violent and great. The shitty lines made sense and I enjoyed every bit of it. I won't seek it out again and again but if it's on television I won't turn it off.

Oh, Canada.


32. "The Trailer Park Boys: Countdown to Liquor Day"
Not as good as their other movie or the television show. It's good and it moves the overall story along, but it was just lacking something. Maybe I didn't like it because it's not a Rickie movie. Whatever.

You think he's smart because you're young


31. "An Education"
The rare film that has excellent camerawork that means something in a subtle way. The rare film that uses money as a motivating factor in decision making. The rare film about a teenage girl adapted by a male that turned out well. I can't get over how good this film is, at least the first 90% of it. Even the ending didn't ruin the experience. It's like having the best meal of your life and following it up with a Twinkie for desert. It just isn't needed.

I love, love, love dry British wit.

Love and Spirits


30. "The Awful Truth"
I know I'll enjoy a film if it's in black and white, slapstick, made between 1935 and 1955, stars William Powell or Cary Grant and involves liberal consumption of alcohol. This is not the exception to that rule. I loved it. Each scene stands alone and is funny. Each one liner is excellent. Asta, the dog from "The Thin Man" series plays, or is in, this film.

Let's all wear suits, get drunk but not act drunk, converse with elders and enjoy happy endings.

PASTA! WINE!


29. "Mid-August Lunch"
I saw this at the Music Box on a Saturday evening. Besides a young couple on a date, I was the youngest person in the theater by twenty years. Not a bad thing, but I'm not the key demographic for this pleasant Italian film.

I have an Italian mother. She's demanding and 'old school' and dumb. Her beliefs are rooted in ignorance. She means well. My mother would have loved this film. I connected to this film in pleasant and unpleasant ways. Such is an Italian film.

Pretty



28. "Atonement"
A film that will be taught for years. Giant in ambition and performances. Near perfect (I only use 'near' because I've just seen it and don't want to dub anything perfect without some time but that logic is flawed because everything changes over time). While it's not a film I'd watch obsessively, it's one that hit every note in a memorable way.

Friday, April 23, 2010

Fun times


27. "The House Bunny"
You know what you're going to get with this movie but it's not so bad. Yes, the writing and premise and soundtrack and camerawork is formulaic and blah, but Anna Faris is hard to hate. In fact, she's great. I loved her in this film. She carried through with the dumb, innocent ditz throughout and we're all the better for it. Sometimes you want to eat candy for dinner.

See this ASAP, you can stream it on Netflix


26. "We Live In Public"
I sure did enjoy Nine Inch Nails' "The Fragile" and this film reminded me of that. The use of their music was perfect to illustrate the 1999 internet boom.

Josh Harris is crazy. He's a genius but insane. He didn't get hugged enough. He needed more Mr. Rogers in his diet. It would have given him some perspective, the kind that tells you that it's not nice to interrogate people and film everything for no end. It's not art. It's selfish. No one wins. "We Live In Public" is a wonderful documentary with many messages, one of which is no one wins when there's no privacy.

I'm not giving this film enough credit. Watch it. If you liked "Dig!" you'll like this. If you're slightly leery of things like Four Square, see this film.

Tight, dramatic shots


25. "Chloe"
While not awful, this stylized and quiet indie felt like an excuse to see Julianne Moore and Amanda Seyfried topless.

Chloe, played by Seyfried, is a prostitute. She tells and does things people want for money. Catherine, played by Moore, is a gynecologist that believes her professor husband, played by Liam Neeson, is cheating on her. Catherine hires Chloe to see if her husband will take the bait. Lovers quarrels and general unpleasantness ensue. It's not my cup of tea.

All the performances are excellent. It's just the story didn't do much for me. The story is ambitious in scope and wants the viewer to think. It did not make me think.

Not sad and lonely


24. "Whatever Works"
"I saw the abyss."
"Don't worry, we'll watch something else."

"She had a high IQ and a low cut dress."

Whether or not you like Woody Allen as a filmmaker shouldn't take away from his great writing. The man is a genius with a pen. With a camera, he's hit or not as big of a hit. "Whatever Works" is not as big of a hit. Larry David plays a role Allen would have if he wanted. I think Larry David played a better Woody Allen then Allen. I enjoyed David's ire more than Allen's neurosis. Coffee vs tea. You just like what you like.

The story isn't great. David lets a homeless teenager stay over one night. She's a rube and he's a genius. They fall in love, get married, things fall apart, NYC plays a big role, talk about baseball, art. sex, etc. It's exactly what you think it will be. It's not bad.

Older directors should not get to name "young bands". I have a theory that the older you get the more you associate loud rock music with anal rape.

Keep it tight


23. 2010 Oscar Shorts
One of the nice things about the Brew and View is you'll see things like the Oscar shorts, the short films nominated for Academy Awards. It's a treat to see such neat little packages of art on the big screen.

See this program if you can. All of the shorts have something to offer. If you have children this would be a perfect introduction to independent animated film.

Clay?


22. "Youth In Revolt"
I don't mind watching Michael Cera in everything. He's hard to hate. Sadly, he hasn't been in many good films.

The story is bad, the direction seems aimless, there are some laugh out loud jokes but more duds, yet it's not completely awful. I think it has more to do with the performances. Yea, the story is absurd in a boring way and the film plods along, but Cera's two performances are fun. It's a fun movie that I will not remember. Still didn't like it.

Fight!


21. "Sherlock Holmes"
Guy Ritchie knows how to shoot a fight scene. He does not know how to light, edit, capture great performances, etc. He's not necessarily bad at these things, just not great. Maybe he does know how to do it well and just chooses to make fights look neat.

I saw this at Brew and View. It was a good experience.

Friday, April 09, 2010

COME TO THE BRAIN


4. Stephanie Kuehnert "Ballads of Suburbia"
Stephanie is going to be a guest on the You, Me, Them, Everybody Live Podcast on the last Monday of April at the Hungry Brain. Please come.

Suicide


20. "2 Days"
I'll watch anything Paul Rudd has a hand in. I should not.

Burton does remake


19. "Alice In Wonderland"
OK. That happened.

Free TV is never really free


18. "Man of the House"
"Why would he do this?"
"He needs the money."
"He has enough money."
"You're stupid."